That election, and its unprecedented 21 candidates, serve as the ostensible focus of James’ four-hour series. But if it’s not already evident from the topical descriptions above, “City So Real” encapsulates more
Which isn’t to say that “The Evening Hour” elides the awfulness of the epidemic; that same opening shot pans across the landscape in time to see an ominous explosion in the distance. Every frame is saturated with a sense of quiet desperation. The rival drug pushers inevitably pull their guns on each other, and even the kindest intentions have a way of souring into sadness.
Continue reading ‘The Evening Hour’: A Compassionate Drug Dealer Tries to Survive in Appalachia [Sundance Review] at The Playlist.
Per usual, the nominees mingled during cocktails at this year’s venue, the Ray Dolby Ballroom at Hollywood and Highland, featuring a new set of risers for the real purpose of their visit: to be called onstage for the annual class picture.
The Academy was forced to find a new location due to the earlier-than-ever schedule, which made the Beverly Hilton unavailable. “The Two Popes” star Jonathan Pryce was there without Anthony Hopkins, chatting with fellow Brits George MacKay (“1917”) and Florence Pugh (“Little Women”). “The Irishman” director Martin Scorsese
On its surface, Arthur Jones’ “Feels Good Man” is the sympathetic portrait of a man who created a monster, and then (eventually) took it upon himself to reclaim Pepe the Frog as an emblem
Continue reading ‘Ironbark’: Benedict Cumberbatch Is Stellar In This Real-Life Cold War Thriller [Sundance Review] at The Playlist.
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